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    Two people stand at a stone railing overlooking the sea: a woman in a flowing teal cloak facing away, and a man in a gray tunic with a belt.

    The Odyssey is living proof of how little real power online trolls, racists, and engagement baiters actually have once the lights go down in a theater. These people have been emboldened in recent years, especially by the Trump era, to attack anything that has even a hint of diversity. They treat every casting choice that doesn’t match their narrow preferences like a personal attack on Western civilization. They spent months trying to sabotage Christopher Nolan’s The Odyssey before it even opened. They flooded timelines with the usual bad-faith complaints about “woke casting,” about Zendaya, about Lupita Nyong’o, about the mere

    The post BSO Review: Christopher Nolan’s “The Odyssey” Stomps Out the Online Hate first appeared on BlackSportsOnline.

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