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    Wesley Morris liked “The Devil Wears Prada 2” more than he had thought he would. It captured the spirit of the original well enough. But he was distracted by one thing about it that was different. Miranda and Andy, played by Meryl Streep and Anne Hathaway, are the same. Miranda still queen, and Andy still a grunt. In the first film, Andy was the fresh-out-of-college striver whom we were asked to cheer for and relate to. This time around, they’re both facing the perilous future of a changing media landscape threatened by tech billionaires. But this movie asks us to keep the focus on Miranda and all that she has to lose. She’s the hero. This got Wesley to thinking: What happened to the stories about working- and middle-class people? The ones where the focus was on the people doing the work, not the people at the top? Remember when they mattered just as much as (if not more than) their bosses? Now, the execs are the ones receiving all the attention. Wesley asks, What’s up with that? Read more: https://www.nytimes.com/2026/05/14/podcasts/the-devil-wears-prada-workers-get-nada.html “Cannonball” is a podcast from The New York Times, with the Pulitzer Prize-winning critic Wesley Morris. Every week, Wesley talks to writers, artists and friends about the culture that moves us — the good, the bad and whatever’s in between. Surprisingly personal and never obvious, new episodes drop on Thursdays. Watch "Cannonball" on YouTube and listen wherever you get your podcasts. Subscribe: https://www.youtube.com/@cannonballpodcast Follow NYTimes: https://www.instagram.com/nytimes Subscribe to NYT Audio: https://bit.ly/3Qz3GZu
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